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House At The End Of The Street
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House At The End Of The Street

Description
Newly divorced Sarah and her daughter Elissa find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret.
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HEROES OF "House At The End Of The Street"
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CRITICS OF "House At The End Of The Street"
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Entertainment Weekly
Resource

September 21, 2012

This is the rare horror film so bad you almost wish it had turned into a good old connect-the-gory-dots slasher movie. The only mystery at work is how Lawrence's agent ever let her sign on.
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Critic's Notebook
Resource

October 07, 2015

"House at the End of the Street" is so thoroughly unpredictable that it will even have you actively rooting for the villain and against the victims at one point.
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Georgia Straight
Resource

February 15, 2013

A clunky, run-of-the-mill horror flick written by the same guy who penned last year's similarly themed disappointment, Dream House.
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Reel Film Reviews
Resource

July 16, 2014

An uncommonly tedious effort...
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TheHorrorShow
Resource

August 26, 2015

A "sleepover night" horror movie made for young people who haven't seen many good horror movies.
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Los Angeles Times
Resource

September 21, 2012

What could be so bad about a new Jennifer Lawrence movie that its distributor opts to keep it away from critics and release it with minimal ad support? Please, allow "House at the End of the Street" to answer that question.
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New York Times

September 22, 2012

A choppily edited, poorly timed mess with little continuity, overloaded with aural shocks in a desperate attempt to compensate for its minimal suspense.
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Quickflix
Resource

November 25, 2013

It's made for - and presumably by - people who haven't ever seen a horror movie. What's even more frustrating is that its inherent ineptitude doesn't ever become entertaining in a "this is hilariously horrible" fashion.
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Village Voice
Resource

September 22, 2012

Tonderai steers the story cleanly around its queasy hairpin turns, perversely toying with one of pop cinema's most cherished clichés: the audience's inculcated desire to side with the underdog.
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Cinema Crazed
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June 20, 2013

Ninety minutes of melodrama for ten minutes of a very derivative surprise ending.
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TheWrap
Resource

September 21, 2012

There are one or two clever plot twists that are subsequently followed up by a cavalcade of ridiculous, credibility-stretching ones.
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Time Out
Resource

September 25, 2012

Shockingly uneventful, this horror film marks time until dropping its big, dumb reveal.
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