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Harlem Nights
Description
Having an illegal casino, that has gained a huge popularity during the 1930s, brings terrible for Sugar, the casino owner, who struggles against saving his business from the corrupted police officers and his enemies of criminals, who seek to close the casino and destroy his life, the thing that leads him to fight them.
Having an illegal casino, that has gained a huge popularity during the 1930s, brings terrible for Sugar, the casino owner, who struggles against saving his business from the corrupted police officers and his enemies of criminals, who seek to close the casino and destroy his life, the thing that leads him to fight them.
Actors:
Della Reese,
Bill Bateman,
Dennis Lee Kelly,
Berlinda Tolbert,
Dennis Kemper,
Randy Harris,
Robin Harris
Della Reese
6 July 1931, Detroit, Michigan, USA
Bill Bateman
Dennis Lee Kelly
Berlinda Tolbert
4 November 1949, Charlotte, North Carolina, USA
Dennis Kemper
Randy Harris
Robin Harris
30 August 1953, Chicago, Illinois, USA
Country:
United States
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Apollo Guide
July 30, 2002
Though it's not easy to watch, Harlem Nights is gorgeous to look at.
eFilmCritic.com
July 26, 2002
Ugly, pushy and over-the-top, but there's still a bunch of laughs to be found.
January 01, 2000
It's narcissistic, misogynistic and extremely mean-spirited.
Matinee Magazine
July 25, 2002
There's maybe two funny moments in this shrill directorial bomb from Eddie Murphy.
Mountain Xpress (Asheville, NC)
February 12, 2004
Not as bad as you might think, but not all that good either.
January 01, 2000
Once there was Freddy. Once there was Chuckie and Jason and Howard the Duck. Now there is the scariest of them all. Now there is Harlem Nights.
January 01, 2000
Does it matter to Eddie Murphy whether Harlem Nights is good or bad? It doesn't look like it.
January 01, 2000
An uninspired cross between Cotton Club and the characters of Damon Runyon, told in cliches so broad you keep waiting for it to poke fun at itself, but it never does.
October 27, 2016
The movie is a whirlingly divergent romp, blending serious violence with outrageous comedy, but it has the feel of oral history, of lives and times rescued from oblivion.

