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Hard Target
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Hard Target

Description
On a new mission to New Orleans, Natasha is trying to find a plan to find her missing father. There, I met a very difficult man and perhaps help her in that seemingly exciting task. After time, the man discovered that Natasha's father had been killed by a large organization to kill people and sell their organs in a hideous way. The task became very exciting and difficult for Natasha and the man. Both decided to take advantage of the police strike in New York to do what they wanted.
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CREATORS OF "Hard Target"
Hard Target
CRITICS OF "Hard Target"
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Washington Post
Resource

January 01, 2000

Woo, a master of stylized violence and explosive action, has had to buy into America's fascination with explosive effects and reaction. Something gets lost in the transition.
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TV Guide
Resource

November 02, 2008

Though working on a Jean-Claude Van Damme vehicle can be seen as a comedown for Woo, he rises to the occasion to create an often rousing entertainment that is almost inarguably Van Damme's best film to date.
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TheMovieReport.com
Resource

January 02, 2004

Click to read review
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Lawrence Journal-World

January 20, 2006

Hysterically inept attempt at action filmmaking
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Combustible Celluloid
Resource

May 26, 2006

One of my greatest guilty pleasures.
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Washington Post
Resource

January 01, 2000

Essentially, Hard Target is a risk-averse Van Damme vehicle, steered by many hands, and set on tracks leading directly to the delivery entrances of the country's video stores.
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Time Out
Resource

June 24, 2006

It's what Hollywood wanted Woo for: bigger, brighter explosions.
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EmanuelLevy.Com

July 03, 2005

A combo of American Honk Kong actioners that fails to show John Woo's distinctive talent
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New York Times

August 30, 2004

Presenting Mr. Van Damme as reverentially as Sergio Leone did the young Clint Eastwood, Mr. Woo displays a real aptitude for malignant mischief, which is this story's stock in trade.
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New Times

September 16, 2004

Should have been so much better.
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Rolling Stone

May 12, 2001

Even when the acting is hammy, notably Wilford Brimley's turn as Chance's Cajun uncle, Woo stages every fight with hypnotic grace.
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Variety

October 10, 2006

A disappointing American debut of the Hong Kong cult director John Woo is a decent action vehicle by standards of its star Jean-Claude Van Damme but, hampered by a B script and flat characters, it doesn't bear Woo's auteurist signature and unique vision
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