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Gremlins 2: The New Batch
Description
The Gremlins are back, and this time, they've taken total control over the building of a media mogul. The movie story continues the adventures of the creature Gizmo, who spawns numerous small monsters when wet.
The Gremlins are back, and this time, they've taken total control over the building of a media mogul. The movie story continues the adventures of the creature Gizmo, who spawns numerous small monsters when wet.
Actors:
Christopher Lee,
Liz Pryor,
Dean Norris,
Haviland Morris,
Jeff Bergman,
Carmen J. Gray,
Kirk R. Thatcher
Christopher Lee
27 May 1922, Belgravia, London, England, UK
Liz Pryor
Dean Norris
8 April 1963, South Bend, Indiana, USA
Haviland Morris
14 September 1959, New Jersey, USA
Jeff Bergman
10 July 1960, Philadelphia, Pennsylvania, USA
Carmen J. Gray
Kirk R. Thatcher
Country:
United States
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January 01, 2000
For a good hour it's less like a wild-spirited comedy than a '60s Disney film with Dean Jones or Fred MacMurray.
October 19, 2014
"Gremlins" deserved a much better follow up than "The New Batch."
May 08, 2012
Any movie with former Dracula Christopher Lee as a scientist who creates a gremlin-bat can't be all bad, but there's a reason we never received a Gremlins 3.
May 22, 2012
An odd, but rewarding sequel that ups the ante on comedy and effects, and manages to offer a refreshing spoof of the first film.
June 12, 2013
Campy horror sequel has unrelenting cartoonish violence.
January 01, 2000
Too many gremlins and not enough story line.
March 26, 2009
An hilarious sequel featuring equal parts creature slapstick for the small fry and satirical barbs for adults.
May 19, 2012
... is one of the funniest comedies of its time, a veritable live-action cartoon from Joe Dante at his most unrestrained.
February 09, 2006
There's almost enough in-joke ingenuity to justify the total absence of plot.
May 12, 2012
No, this was not your daddy's Gremlins movie. This was an entirely different kind of beast that was just made up of the same DNA.
New York Times
August 30, 2004
Speaks to the gleeful hell-raising monster in each of us, and it speaks with much more verve, cleverness and good humor than the film on which it is based. Add this to the very short list of sequels that neatly surpass their predecessors.
New Yorker
November 07, 2011
This uninhibited and uproarious monster bash, directed by Joe Dante, is more quick-witted and ironic than the original; it sets forth a savvy, slaphappy agenda before the opening credits and follows it straight through to the end, and even beyond.
