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Fear And Loathing In Las Vegas
Description
A druggie journalist and his advocate travel to LA from Las Vegas on a drug spree because they are frantically searching for the “American Dream”. They are supposedly there for news coverage and end up covering a convention regarding the misuse of drugs.
A druggie journalist and his advocate travel to LA from Las Vegas on a drug spree because they are frantically searching for the “American Dream”. They are supposedly there for news coverage and end up covering a convention regarding the misuse of drugs.
Actors:
Brian Le Baron,
Michael Jeter,
Milt Tarver,
Katherine Helmond,
Lisa Hoyle,
Spencer Kayden,
Marlene Bologna
Brian Le Baron
Michael Jeter
26 August 1952, Lawrenceburg, Tennessee, USA
Milt Tarver
20 December 1943, Natchitoches, Louisiana, USA
Katherine Helmond
5 July 1929, Galveston, Texas, USA
Lisa Hoyle
Spencer Kayden
1971, Costa Mesa, California, USA
Marlene Bologna
Genre:
Comedy
Country:
United States
Keywords:
#Benicio del Toro #Fear And Loathing In Las Vegas #Johnny Depp #Terry Gilliam #Tobey Maguire
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January 01, 2000
If you encountered characters like this on an elevator, you'd push a button and get off at the next floor. Here the elevator is trapped between floors for 128 minutes.
Quickflix
November 24, 2014
Unless viewed through the prism of psychedelic habituates, it is unlikely audiences will find much to savour in Gilliam's picture.
May 02, 2012
A peculiar and oddly haunting achievement.
EmanuelLevy.Com
July 26, 2012
One of Terry Gilliam's worst films (almost unwatchable)
June 18, 2002
It's really a series of sketches on one theme.
September 07, 2011
(Gilliam's) vision is too reflexively comic to evoke the shadows of dread in Thompson's writing.
May 02, 2012
Bizarre, unpredictable yet strangely alluring.
Variety
March 26, 2009
Pic serves up a sensory overload without any compensatory reflection on the outlandish and irresponsible behavior on view.
May 02, 2012
The film is intensely pretentious, far too clever for its own good.
January 26, 2006
A film of brilliant moments, but sadly less coherent - and, on senses, rather less personal - than most of Gilliam's work.
May 02, 2012
It's certainly distinctive, looking at times like Richard Lester put through a postmodernist blender.
