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Fatal Beauty
Description
The film follows Rita Rizzoli is a sexy woman is responsible for investigating the leader of the drug lord. Suddenly, she confronts and falls for her target Mike Marshak, the drug kingpin's rugged and handsome bodyguard.
The film follows Rita Rizzoli is a sexy woman is responsible for investigating the leader of the drug lord. Suddenly, she confronts and falls for her target Mike Marshak, the drug kingpin's rugged and handsome bodyguard.
Actors:
Jennifer Warren,
Tom Spiroff,
Brad Dourif,
Steve Akahoshi,
Michael Champion,
Neill Barry,
Josh Pickard
Jennifer Warren
12 August 1941, Greenwich Village, New York, USA
Tom Spiroff
Brad Dourif
18 March 1950, Huntington, West Virginia, USA
Steve Akahoshi
19 September 1961, Los Angeles, California, USA
Michael Champion
Neill Barry
29 November 1965, New York City, New York, USA
Josh Pickard
Country:
United States
Keywords:
#CST Telecommunications #Fatal Beauty #Metro-Goldwyn-Mayer (MGM) #Rubén Blades #Sam Elliott #Tom Holland #Whoopi Goldberg
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January 09, 2009
Whoopi Goldberg is at her sassy, funny best in this upbeat 1987 cop caper, playing a Los Angeles detective who takes no nonsense and is ready for anything the badass guys can dish out
Fantastica Daily
September 28, 2005
A lackluster Beverly Hills Cop rip-off.
Moviehole
September 17, 2002
what night's rubbish night again?
Mountain Xpress (Asheville, NC)
November 25, 2002
So-so Whoopi comedy-thriller. There are worse things and she's made some of them.
April 19, 2016
Never quite hits the sweet spot in balancing action and humor. The film clunkily moves back and forth between them, rather than getting them to work in unison.
January 01, 2000
Goldberg's best work since The Color Purple.
eFilmCritic.com
July 29, 2002
Whoopi's a cool lady, but she's done a lot of stunningly awful movies. This is (easily) one of the worst.
January 01, 2000
Bloody, boring and pandering, is as poisonous as the drug trade it pretends to defame.
January 01, 2000
Tom Holland directed from a script and story credited to three individuals, anyone could have knocked this one out during coffee break.
New York Times
May 20, 2003
The wisecracks and the swaggering are as unrelieved as the film's almost comically ecstatic gunplay. Someone must have figured audiences like things this way.
