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Factory Girl
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Factory Girl

Description
In the mid-1960s, wealthy debutant Edie Sedgwick (Sienna Miller) meets artist Andy Warhol (Guy Pearce) who promises to make her the star she always wanted to be... And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality...
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Factory Girl
CRITICS OF "Factory Girl"
Solarmovie
Denver Rocky Mountain News

February 16, 2007

You feel as if either you or the filmmakers have missed the point, if there ever actually was one.
Solarmovie
Ozus' World Movie Reviews
Resource

May 08, 2017

Never gets past the superficial.
Solarmovie
CinemaBlend.com
Resource

May 02, 2008

Summing up a complex human being in two hours is like an MTV spot about Nelson Mandela cut to a Kanye West track. We don't really get to know Sedgwick at all.
Solarmovie
House Next Door
Resource

November 06, 2008

In Factory Girl, a jumbled account of the short life and photogenic hard times of the first Andy Warhol superstar, Edie Sedgwick, Sienna Miller makes Sedgwick into an archetypal over-confident blond with a mannered young Kathleen Turner croak.
Solarmovie
Detroit Free Press

February 16, 2007

Sedgwick's death seems as predestined as a Hollywood melodrama.
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Ebert & Roeper

February 20, 2007

I think Sienna Miller does a really nice job of capturing Edie Sedgwick, who really was the fore-runner to Paris Hilton and a lot of other people who are just famous for being famous.
Solarmovie
Common Sense Media
Resource

October 22, 2007

True story of drugs and sex is for adults only.
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Orlando Sentinel

February 16, 2007

It's a movie without that emotional spark that lets us connect with her, or anybody else.
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Urban Cinefile
Resource

August 11, 2007

As a bio-pic, Factory Girl is limited, but as a snapshot of Sedgwick and Warhol's fiery relationship, there is much to fascinate us.
Solarmovie
Houston Chronicle
Resource

February 16, 2007

When Sedgwick's whirl of liberation turns into addiction, clichés stall the plot.
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Time Out
Resource

March 14, 2007

One wonders whether the documentary format would have better served the material than this ill-focused drama. Since real-life family and observers chime in over the end credits, perhaps the filmmakers were thinking the same thing.
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