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Elephant (2003)
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Elephant (2003)

Description
A day in the lives of a group of average teenage high school students. The film follows every character and shows their daily routines. Things go extreme when two students arrive with violent intentions. 
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Elephant (2003)
CRITICS OF "Elephant (2003)"
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New York Magazine/Vulture

August 07, 2004

Elephant is a lurid tease posing as an art film.
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Cinemaphile.org
Resource

May 14, 2014

Watching it, one is left with the cold realization that a story like this had to be made for the screen, and it had to be done so exactly with this level of intensity.
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rec.arts.movies.reviews
Resource

October 18, 2005

A failure to communicate
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Cinema Crazed
Resource

April 29, 2009

One of the most disturbing films I've ever seen, one that gave me a rush of emotions of sadness, horror, disbelief, shock, and anguish.
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Common Sense Media
Resource

August 03, 2012

Director Gus Van Sant takes a powerful approach to this material, without being heavy-handed.
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Time Out
Resource

January 26, 2006

The film doesn't try to explain, but to put us in a subjective time and space, a place where it's impossible not to feel the abject horror of random violence.
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Wall Street Journal
Resource

April 24, 2013

What I'll remember most vividly about Gus Van Sant's extraordinary "Elephant" is not the violent climax but the state of grace that precedes it.
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Urban Cinefile
Resource

October 18, 2008

One of the most stimulating and provocative films of the year.
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AV Club
Resource

April 24, 2013

Elephant creates gorgeous, wide-open spaces that allow viewers the freedom to reflect without having a point-of-view imposed on them.
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Empire Magazine
Resource

April 01, 2006

Van Sant's least 'show-offy', most personal, best picture in years (maybe ever), and an honourable attempt at respectfully considering the unbearable.
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Associated Press
Resource

April 24, 2013

The approach is oddly riveting, though, because the tension builds slowly, and you know what's going to happen at the end of the day.
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New Yorker

April 24, 2013

Gus Van Sant's fascinating, mysterious, semidocumentary meditation on the Columbine massacre is not very satisfying, but it's still something to see.
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