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Elektra
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Elektra

Description
This story begins with a girl named Elektra who works as a killer for trafficking in a mysterious international organization known as Hand. This girl begins her work as a murderer, as she kills her goals without a question. One day, the organization called on her to kill Mark Milwabanth Abby, while they were on vacation. The conscience of Elektra began to take its toll, where it was decided to protect its objectives rather than eliminate them. Events and circumstances change, as the hand organization seems to have other goals.
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Elektra
CRITICS OF "Elektra"
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Time Out
Resource

June 24, 2006

A none too Marvel-lous spin-off from Daredevil.
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People Magazine
Resource

July 14, 2015

Garner, who showed a promising comic touch last year in 13 Going On 30, does her movie career no favors here.
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MSNBC
Resource

July 14, 2015

Even the action scenes flirt with tedium.
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Sydney Morning Herald
Resource

July 14, 2015

If the film isn't as bad as some others in the comics-to-cinema genre (Halle Berry's Catwoman has rather lowered the bar), that's not to say it's good.
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Hollywood.com
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July 14, 2015

The problem is Elektra is not among the most compelling of characters. She doesn't have enough humanity and the story not enough depth to sustain us between fight scenes.
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AV Club
Resource

October 06, 2006

Elektra shoves Frank Miller's eponymous cold-blooded assassin into a PG-13-friendly adventure.
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Wall Street Journal
Resource

July 14, 2015

The movie's dominant visual tone is bronzed grunge, and its emotional tone is depressive.
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Triple J
Resource

July 14, 2015

Worth a look.
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Chicago Reader
Resource

March 05, 2007

This doesn't exactly set the world on fire, but I was charmed by its old-fashioned storytelling, which is refreshingly free of archness, self-consciousness, or Kill Bill-style wisecracks.
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Radio Times
Resource

July 14, 2015

Daredevil's lady friend Elektra gets a solo outing in this insipid action adventure.
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Associated Press

March 05, 2007

Everything comes back to Garner, though -- and even when the movie takes itself too seriously, thankfully she never does.
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Slate
Resource

July 14, 2015

There isn't a whisper of spontaneity.
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