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Dark Matter
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Dark Matter

Description
Directed by Shi-Zheng Chen based on actual events. Dark Matter revolves around a Chinese university student responds violently when his chances for a Nobel Prize are dashed by school politics.
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HEROES OF "Dark Matter"
Dark Matter
CRITICS OF "Dark Matter"
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New York Post
Resource

April 11, 2008

There's little in Billy Shebar's script, the rambling direction by theater and opera helmer Chen Shi-Zheng - or Liu Ye's impassive performance as the student.
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East Bay Express
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August 15, 2011

We know we're in strange territory from the opening shot.
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Austin Chronicle
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April 18, 2008

There is no need for a scene in which your hero loses touch with reality via cockeyed camera trickery and thumping techno music.
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DVDTalk.com
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March 25, 2009

Buttressed by outstanding, unpredictable performances and a beguiling mood of raw nerve collegiate ambition, Matter develops erratically but intelligently.
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Honolulu Star-Advertiser
Resource

July 05, 2011

Xing is surprised to discover Western academics are just as ruthless as communist apparatchiks and, ill equipped emotionally to handle humiliation, he takes his guns to town.
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Entertainment Weekly
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April 16, 2008

Liu Ye is too inexpressive for his role's demands, and the movie doesn't build to his downfall: It just zaps itself there.
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Chicago Tribune
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October 18, 2008

The film does a fine job of displaying the contrasts between these tense, formalized Chinese students and the faux populist American academics.
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Film-Forward.com
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December 07, 2008

Poignantly and sympathetically gets inside the confused head of an Asian immigrant rarely seen in film, a grad student flummoxed by American culture and academic politics.
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San Francisco Chronicle
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May 02, 2008

There is nothing wrong with taking inspiration from actual events, but it's a tricky business, and Dark Matter does no one right by sticking to the shocking conclusion.
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Los Angeles Daily News

April 18, 2008

A remarkable whisper of a movie as well, for something that deals with a subject as alarming as campus violence.
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Los Angeles Times
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April 18, 2008

It is easy to see the film as two movies crammed together, neither of them being very good.
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indieWire
Resource

August 08, 2009

Begins with a shot of Meryl Streep practicing tai chi, and therein lies a precise encapsulation of the film's attitude toward the intersection of Eastern and Western cultures
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