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Crimes and Misdemeanors
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Crimes and Misdemeanors

Description
Two separate but interweaving stories of the moral choices made in crumbling marriages and marital infidelity are presented. An ophthalmologist's mistress threatens to reveal their affair to his wife, while a married documentary filmmaker is infatuated by another woman.
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Crimes and Misdemeanors
CRITICS OF "Crimes and Misdemeanors"
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Chicago Sun-Times
Resource

January 01, 2000

The movie generates the best kind of suspense, because it's not about what will happen to people -- it's about what decisions they will reach.
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Common Sense Media
Resource

May 03, 2016

Dark Woody Allen comedy-drama about adultery, murder.
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TV Guide
Resource

February 12, 2008

Allen's expertise is evident everywhere.
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Cinema Crazed
Resource

September 23, 2013

A truly brilliant study of murder and its psychological effects on the people that dare commit it.
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Groucho Reviews
Resource

February 19, 2014

Nervy and unnerving...arguably the purest expression of Allen's cinematic vision. [Blu-ray]
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Washington Post
Resource

January 01, 2000

A relative of Hannah and Her Sisters in its duplex structure and of The Purple Rose of Cairo in its bitter theme, Crimes is two movies in one, a blend of Allen's satiric and pretentious dramatic styles.
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Variety
Resource

February 12, 2008

The structural and stylistic conceit is that when Landau is onscreen, the film is dead serious, even solemn, while Allen's own appearance onscreen signals hilarious satire and priceless one-liners.
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Ozus' World Movie Reviews
Resource

March 29, 2010

Using the paper-thin lead characters as symbols to show how blind people are about themselves and their relationships has little gravitas, but the comedy is stinging.
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Time Out
Resource

February 09, 2006

Dramatically, the film seldom fulfils its promise, and its pessimistic 'moral' -- that good and evil do not always meet with their just deserts -- looks contrived and hollow. Intriguing and patchily effective, nevertheless.
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Film4
Resource

February 12, 2008

The result is a frighteningly intelligent, and often hilariously funny whole.
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New York Times

May 20, 2003

The movie's secret strength -- its structure, really -- comes from the truth of the dozens and dozens of particular details through which it arrives at its own very hesitant, not especially comforting, very moving generality.
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Chicago Reader
Resource

February 12, 2008

The overall 'philosophical' thrust -- that good guys finish last and that crime does pay -- is designed to make the audience feel very wise, but none of the characters or ideas is allowed to develop beyond its cardboard profile.
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