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Creative Control
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DIRECTORS OF "Creative Control"
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CREATORS OF "Creative Control"
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HEROES OF "Creative Control"
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CRITICS OF "Creative Control"
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San Francisco Chronicle
Resource

March 17, 2016

Like Antonioni, Dickinson is less interested in narrative structure and character development, but there's a problem here: He has nothing new to say about technology, alienation and the lost art of romance.
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San Francisco Examiner
Resource

July 01, 2016

The people in this future are shallow, selfish and depressing.
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MetroActive
Resource

March 23, 2016

It's not easy to make a satire like this without crankiness, or to bring a new talent to the buckshotting of that sitting duck known as Nouveau Brooklyn, where "Namaste" is the Tibetan word for "f--- you."
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Salt Lake Tribune
Resource

March 25, 2016

Shot in black-and-white, with some smartly strategic use of color, Creative Control has a sleek, polished look that belies its indie beginnings.
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Washington Post
Resource

March 17, 2016

At times, I felt like I was out on a date with "Creative Control," only to find the movie kept checking its hair in the mirror every five minutes.
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ReelViews
Resource

March 18, 2016

Creative Control looks more interesting than it is.
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Washington City Paper
Resource

March 19, 2016

A legitimately stylish close to a strainingly trendy film, suggesting that Dickinson may indeed have some talent if he could only get over himself.
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Philadelphia Inquirer
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March 18, 2016

While it hits some of the usual sci-fi tropes, Creative Control's center of gravity isn't tech itself, but the relationships of those who use it.
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The Patriot Ledger
Resource

March 19, 2016

It captures Brooklyn's trendy Williamsburg neighborhood in a whole new light. Shame the film couldn't do the same with its lame attempts at satire. But, hey, that's reality. And as we all know, it bites.
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Boston Globe
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March 17, 2016

Even after establishing David as a panicky wreck addicted to his morning Xanax chewables and evening booze, the movie doesn't dramatize his ensuing breakdown so that it makes sense or generates much sympathy.
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Chicago Reader
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March 24, 2016

The movie is like Manhattan with mobile phones, and in fact the idea of constructing one's own reality fits right in with the Woody Allenesque tone.
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