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Contempt
Description
Paul, a screenwriter, meets Jeremy, a rich American producer who ask Paul to rework the script for German director Fritz Lang's screen adaptation of The Odyssey
Paul, a screenwriter, meets Jeremy, a rich American producer who ask Paul to rework the script for German director Fritz Lang's screen adaptation of The Odyssey
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January 01, 2000
It emerges as one of Godard's most emotional films.
November 29, 2017
The film is about nothing but cinema itself, which gets a bit wearing, unless you are one of those people who like watching a movie in order to check off the references to other movies. Still, it's a masterwork of some sort.
January 03, 2016
Steeped in melancholy and a sense of mourning.
January 14, 2016
Godard was the artist who tore cinema apart and rebuilt it to suit his own interests and ends.
December 05, 2016
Few films have achieved such elegance.
January 01, 2000
Contempt was Jean-Luc Godard's 1963 attempt at a big-budget, big- star production, and more or less satisfied his curiosity.
April 11, 2008
What's the price of selling out? Contempt asks the question of its characters, its audience, and its own director.
January 04, 2016
If Le Mépris lacks the uninhibited character of, say, Breathless, Pierrot le Fou, or Alphaville it undoubtedly makes up for it in emotional potency.
New York Times
May 20, 2003
Godard sets interesting scenes, with provocative color combinations and a suggestive pictorial flow. But out of it all comes nothing -- or very little that tells you why this wife is so contemptuous of her husband. Maybe he should be contemptuous of her!
January 03, 2016
If you want to know the cinema of Godard, then this is a great place to start.
February 13, 2001
Inevitably a melancholy film, but a memorable one as well.
September 03, 2013
Possibly Godard's most melancholy film and probably his most beautiful ...