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Clay Pigeons
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Clay Pigeons

Description
The film explores a dangerous story in a small town in Montana, where Clay Bedwell is increasingly on a dangerous path in his life when surrounded by dead bodies from everywhere. Clay will be the prime suspect in the investigation of the FBI murder without any fundamental reason. Clay's only way to get things under control is to deal with a quirky and dangerous person who seems to be dealing with a deception game.
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CREATORS OF "Clay Pigeons"
Clay Pigeons
CRITICS OF "Clay Pigeons"
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Salon.com
Resource

January 01, 2000

Clay Pigeons may not actually be a good movie, but it has many of the ingredients of one.
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The Moving Picture Show
Resource

July 26, 2014

Call this one Fargo Lite, and you won't be far off the mark.
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Lawrence Journal-World

December 31, 2004

Great performance by Vaughn
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Capital Times (Madison, WI)

May 27, 2005

An okay little High Plains Noir, but it unravels at the end.
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Film Threat
Resource

December 06, 2005

Vince Vaughn may play the two best movie serial killers this year if his Norman Bates rendition can match his performance in Clay Pigeons.
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New York Times

January 01, 2000

A film that delights by confounding expectations.
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Time Out
Resource

February 09, 2006

This quirky comedy thriller, produced by Ridley Scott, is both blackly funny and, at times, tensely disturbing and quite macabre.
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Reeling Reviews
Resource

April 09, 2005

The boyishly braying laugh Vaughn punctuates his conversations with is a true actor's finesse on his character.
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Los Angeles Times
Resource

February 14, 2001

"You've got a sense of humor, I like that," Lester Long proclaims at one point. Well, we all like that, but would it be asking too much to have a little coherence to go along with it?
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eFilmCritic.com

April 02, 2005

Twisted and quietly addicting crime flick.
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Chicago Sun-Times
Resource

January 01, 2000

Within Clay Pigeons is a smaller story that might have involved us more, but it's buried by overkill.
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Variety

March 26, 2009

Slanted as a black comedy, but fails to secure the sufficiently outre tone (let alone any real suspense) needed to make it more than a middling retread.
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