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Cinema Paradiso
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Cinema Paradiso

Description
A famous Italian filmmaker, haunted by the memories of his first love, recalls his childhood when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
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Cinema Paradiso
CRITICS OF "Cinema Paradiso"
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San Francisco Chronicle
Resource

June 28, 2002

This director's cut -- which adds 51 minutes -- takes a great film and turns it into a mundane soap opera.
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Q Network Film Desk
Resource

April 01, 2017

That balance of the ideal and the tragic weaves all throughout Cinema Paradiso, which is epic in terms of the time frame it covers, but feels consistently intimate
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Daily Telegraph (UK)
Resource

December 12, 2013

Tornatore may have hit a sticky wicket with his subsequent work, but he knew what he was doing here: warning us about the irrational lure of the filmed past, which is to say cinema itself, then ushering us grandly to our seats.
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Daily Express (UK)
Resource

December 13, 2013

It looks lovely and is full of classic, memorable moments, including a tear-jerking finale.
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Observer (UK)
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December 16, 2013

Recent changes to cinema which have seen the projectionist's art sidelined in the digital age add a further layer of poignancy to the magical memories.
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Washington Post

July 11, 2002

Still rapturous after all these years, Cinema Paradiso stands as one of the great films about movie love.
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Seattle Times

July 19, 2002

The heightened symmetry of this new/old Cinema Paradiso makes the film a fuller experience, like an old friend haunted by the exigencies of time.
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Daily Mail (UK)
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December 12, 2013

One of the most delightful and affecting of all movie endings.
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Houston Chronicle

July 19, 2002

In the director's cut, the film is not only a love song to the movies but it also is more fully an example of the kind of lush, all-enveloping movie experience it rhapsodizes.
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Guardian
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December 12, 2013

Cinema Paradiso is much loved, though I have occasionally been the man in the Bateman cartoon: the reviewer who confessed to finding Cinema Paradiso a bit sugary and the kid really annoying.
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Detroit Free Press
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July 19, 2002

The film's final hour, where nearly all the previous unseen material resides, is unconvincing soap opera that Tornatore was right to cut.
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Time Out
Resource

December 09, 2013

Returning to cinemas in spiffily remastered form ... the film retains its wide-eyed charm, pitched halfway between unrestrained romanticism and unknowing kitsch.
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