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Billy Elliot
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Billy Elliot

Description
Sabrina, a young teenager girl, whose life turns down, when she after her 18th birthday, finds out that she has enjoyed a super powers as a witch, the thing that affects badly on her, as she can not get along with these powers, so she does her best, in order to keep those powers secret from others.
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Billy Elliot
CRITICS OF "Billy Elliot"
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Boston Globe

January 01, 2000

The best dance film in ages.
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Common Sense Media

December 22, 2010

Terrific story of young ballet dancer has strong language.
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eFilmCritic.com
Resource

April 19, 2002

Billy Elliot earns every one of its sentiments and emotions without getting overly manipulative or preachy
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TheMovieReport.com
Resource

October 14, 2007

When sticking with Billy and his inspirational story, director Stephen Daldry hits all the right steps.
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Suite101.com
Resource

September 25, 2010

The film about atypical artistic pursuits in a blue-collar community that "The Full Monty" sought to be. Peter Darling's choreography dexterously captures the defiance in the dancing - rage against economical and emotional repression in a motherless home.
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Film.com

January 01, 2000

Billy Elliot is a feel-good movie that you don't have to feel bad about feeling good about.
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ReelViews
Resource

January 01, 2000

Neither revolutionary in its approach or subject matter nor seamless in its storytelling, Billy Elliot nevertheless manages to sketch the lives of characters we come to care about.
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Northwest Herald (Crystal Lake, IL)

June 10, 2003

Daldry coaches an astonishing performance from Bell.
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Chicago Sun-Times
Resource

January 01, 2000

Julie Walters ... is spirited and colorful as the ballet teacher, and Gary Lewis is somehow convincing as the dad even when the screenplay requires him to make big offscreen swings of position.
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Kalamazoo Gazette
Resource

June 15, 2002

The story is familiar, to be sure, but director Stephen Daldry and writer Lee Hall tell it so persuasively it's irresistible, and the movie's score of vintage T. Rex classics could do for glam-rock what "The Full Monty" did for disco.
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Film.com

January 01, 2000

The unvarnished, non-enhanced spectacle of a human being executing a display of physical prowess will always have the power to astonish, and the young Mr. Bell proves this very nicely.
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New York Times

January 01, 2000

Real and consequential.
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