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Beaches (1988)
Description
It is these events that embody more details about the friendship of oil and water that lasted 30 years. The film explores both sides including their love for the same man, between both free-spirit Bronx Jew CC Bloom and San Francisco WASP Hillary Essex.
It is these events that embody more details about the friendship of oil and water that lasted 30 years. The film explores both sides including their love for the same man, between both free-spirit Bronx Jew CC Bloom and San Francisco WASP Hillary Essex.
Actors:
James Read,
Joe Grifasi,
Lisa Savage,
Grace Johnston,
Harvey Keenan,
Hector Elizondo,
Bo Sabato
James Read
31 July 1953, Buffalo, New York, USA
Joe Grifasi
14 June 1944, Buffalo, New York, USA
Lisa Savage
Grace Johnston
12 October 1980, USA
Harvey Keenan
Hector Elizondo
22 December 1936, New York City, New York, USA
Bo Sabato
Country:
United States
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May 08, 2005
...it seems obvious that certain audiences will get a whole lot more out of it than others.
Filmcritic.com
April 27, 2005
there are few horrors as singularly terrifying as this movie
eFilmCritic.com
July 26, 2002
Chick-flick extreme, heavy on the syrup.
Juicy Cerebellum
June 11, 2003
Vile trash.
April 16, 2005
I enjoyed the first forty-five minutes of Beaches. Beyond that, I kept looking at my watch wondering when it was ever going to end.
Dispatch-Tribune Newspapers
February 20, 2007
Maudlin & weepy with tender performances by Midler and Hershey.
November 08, 2016
Midler's singing is the only pleasant part of the film. The rest of it you've seen and heard before -- and better.
San Francisco Examiner
February 27, 2003
Horrible... just horrible.
Common Sense Media
January 02, 2011
Make some popcorn and get out the Kleenex.
Cinerina
October 18, 2002
breaks your heart
August 10, 2010
Garry Marhsall's unbearabaly schmaltzy and stereotyical medlodrama contrasts a brassy Jewish singer with an elegant WASPy socialite that even actresses like Bette Midler and Barbara Hershey cannot elevate or rescue.
April 07, 2010
The film's oily overdefinition of various class and cultural categories is strident enough to betray a condescending attitude toward the audience.
