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Bait (2012)
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Bait (2012)

Description
After a freak tsunami, a team of survivors must go through the ups and downs. Suddenly, they realize the appearance of deadly great white sharks which makes them team up to track down the way to escape before one by one is killed.
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DIRECTORS OF "Bait (2012)"
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HEROES OF "Bait (2012)"
Bait (2012)
CRITICS OF "Bait (2012)"
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London Evening Standard
Resource

April 19, 2013

Jaws it ain't.
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Guardian
Resource

April 18, 2013

It is all very silly, and more Corman than Spielberg, but entertaining.
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Dread Central
Resource

October 02, 2012

It's non-stop bloody fun from start to finish and one that you certainly should invite some friends over to dig on with you... again and again.
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ViewLondon
Resource

April 18, 2013

Enormous fun, thanks to pacey direction, strong performances, a number of nicely handled gory bits and a script that pays close attention to the demands of the shark attack genre movie.
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Little White Lies
Resource

April 18, 2013

You've seen this movie without even seeing it.
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Observer (UK)
Resource

April 21, 2013

Bait is fairly exciting, ingenious, well designed, and is perhaps a clever advertisement for online grocery shopping.
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Variety
Resource

September 17, 2012

This likable trash occasionally outsmarts more moneyed Hollywood fish features.
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Sight and Sound

November 15, 2012

Carp all you like at how subtext, plausibility and sense have been sacrificed to this film's high concept, but all the stereoscopic slaughter is irresistibly appealing.
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Los Angeles Times
Resource

September 13, 2012

Rendall and screenwriters Russell Mulcahy and John Kim forget that in between bursts of tart, blood-drenched mayhem, there's a saggy, dumb chamber drama that's completely bland and under-seasoned.
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Flicks.co.nz
Resource

November 01, 2012

It's not spectacular, but it is good enough to see on the big screen.
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Total Film
Resource

May 02, 2013

More funny than scary, it often feels like Deep Blue Sea meets The Mist... but what's wrong with that?
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Village Voice
Resource

September 17, 2012

[It] has many flaws, the foremost among these is the inability to indicate whether we're supposed to consider the savage behavior brought on by its crises as ambiguous or unassailably good.
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