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Backtrack

Description
After discovering that the patients he has been seeing are ghosts, a troubled psychologist is put on a course that takes him back to the remote hometown he fled years ago to uncover the truth behind his strange visions.
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CREATORS OF "Backtrack"
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HEROES OF "Backtrack"
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CRITICS OF "Backtrack"
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Village Voice
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February 23, 2016

Glossily shot yet soullessly schematic ...
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Herald Sun (Australia)
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June 15, 2016

Brody fills out his wafer-thin role with more conviction than it truly deserves, and like fellow former Best Actor Oscar-winner Nicolas Cage, is an expert at keeping a straight face in bent circumstances.
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FILMINK (Australia)
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June 14, 2016

...all very silly and over the top...
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Guardian
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June 15, 2016

Backtrack has a classy, downcast aesthetic that feels a bit like an old piece of furniture melted down and turned into celluloid, or a film infused with the fabric of a chesterfield.
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New York Daily News
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February 24, 2016

Brody does his best, and that initial idea - of a shrink seeing spooks - is fun, even if it's awfully familiar. But the movie really doesn't stand up to further analysis.
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Los Angeles Times
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February 25, 2016

Fright fans more interested in thematic depth than visceral thrills may appreciate what writer-director Michael Petroni attempts, but even they'd likely admit there's not much to savor.
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Urban Cinefile
Resource

June 14, 2016

It's a decent story, but the film suffers from the muddling effect of ghost story mixed with thriller.
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New York Times
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February 25, 2016

The film is part psychological thriller, part horror movie, and the horror elements deliver some solid frights. Mr. Brody isn't asked to stretch much, but he does his usual thing adroitly.
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New York Post
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February 25, 2016

A movie that tries to make a choo-choo out of "The Sixth Sense" but immediately goes off the rails.
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RogerEbert.com
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February 26, 2016

Along with excellent work by cinematographer Stefan Duscio and composer Dale Cornelius, Petroni elicits sharp performances from his estimable cast, especially Adrien Brody.
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