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55 Days At Peking
Description
This historical epic dramatizes the Battle of Peking, a turning point of the Boxer Rebellion in China in 1900 when U.S. Marine Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
This historical epic dramatizes the Battle of Peking, a turning point of the Boxer Rebellion in China in 1900 when U.S. Marine Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
Actors:
Harry Andrews,
Robert Rietty,
Leo Genn,
Walter Gotell,
Joseph Fürst,
Elizabeth Sellars,
Mike Steen
Harry Andrews
10 November 1911, Tonbridge, Kent, England, UK
Robert Rietty
8 February 1923, Paddington, London, England, UK
Leo Genn
9 August 1905, London, England, UK
Walter Gotell
15 March 1924, Bonn, Germany
Joseph Fürst
13 February 1916, Vienna, Austria
Elizabeth Sellars
6 May 1923, Glasgow, Scotland, UK
Mike Steen
February 16, 1928 in Monroe, Louisiana, USA
Director:
Guy Green ,
Nicholas Ray
Guy Green
5 November 1913, Somerset, England, UK
Nicholas Ray
7 August 1911, Galesville, Wisconsin, USA
Country:
United States
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Harry Andrews
10 November 1911, Tonbridge, Kent, England, UK
Robert Rietty
8 February 1923, Paddington, London, England, UK
Leo Genn
9 August 1905, London, England, UK
Walter Gotell
15 March 1924, Bonn, Germany
Joseph Fürst
13 February 1916, Vienna, Austria
Elizabeth Sellars
6 May 1923, Glasgow, Scotland, UK
Show More
April 07, 2003
A jingoistic cartoon.
February 18, 2005
Lively but overlong adventure picture.
January 26, 2006
A magnificent failure.
January 01, 2000
Nicholas Ray's last commercial film and second blockbuster for Samuel Bronston (after King of Kings) effectively ended his career as a Hollywood director, and the unwieldiness of this spectacular... helps in part to explain why.
October 22, 2007
hough ponderous, the film yields plenty of thrills.
October 22, 2007
Jack Hildyard's photography is excellent, particularly in getting on the big screen the savage attack scenes which take up the major part of the picture.
